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CraftSanity – A blog and podcast for those who love everything handmade

A blog and podcast for those who love everything handmade

  • Home
  • Weaving Looms
    • Etsy shop
    • Loom video tutorials
    • About the looms
  • T-Shirts
  • Magazine
    • Order Print Magazine on Etsy
    • Order PDF of Magazine on Etsy
    • Order Magazine
  • Podcast Archive
  • Jen’s Bio
  • Contact
  • Subscribe to Email Newsletter
ArtPaintingPodcasts_featured

CraftSanity Episode 204: A conversation with ArtPrize artist and self-taught abstract painter, Mary-Catheryn Baker

by jennifer September 23, 2017
written by jennifer September 23, 2017

Photo courtesy of the artist.

Mary-Catheryn Baker took her time picking up a paintbrush, but now that bold brush strokes are part of her daily practice there’s little chance the West Michigan artist will ever put down her brush. For her 2017 ArtPrize debut, the 33-year-old, self-taught abstract painter created a collection of four paintings based on her memory of spending her formative years in South America where it was common to see her neighbors walking their cows around the block and childhood friends would come over with their family chicken following behind.

Her ArtPrize collection is called “Farmed” and is on display at the Gerald R. Ford Museum. It features 7-foot square, cropped abstract paintings of a cow and two pigs. These two big paintings are flanked by a smaller painting of a bee on one side and a group of chickens in the other. All the paintings are heavily textured and larger than life, drawing viewers in- especially children – who can be seen posing for photos in front of the Baker’s entry.

In her artist statement, Baker writes:

“Adapting to a lifestyle in the U.S. where factory farmed animals are the norm proved to be difficult for me. It often robs people and animals of that cherished connectedness. Soon I realized that I wanted to paint these uncherished animals and give them a face and a voice that they deserve. I paint the bees that freely pollinated the flowers of their choice. I paint the cows that roamed our sidewalks, blocking our car in the garage and making me late to school. I paint the moody pigs that napped under our neighbor’s mango trees. I paint the chickens that slept at night, snuggled in the trees. I paint them, and I paint FOR them.”

On episode 204 of the podcast listen to Baker tell the story of how she started selling paintings before she officially started calling herself an artist. Baker homeschooled herself for the last couple years of high school and didn’t go to art school. She worked for roughly a decade as a medical translator and picked up a paintbrush with the simple intention of making some artwork to add interest to the walls of her own house. Now, she’s booked more than a year out with commission orders from art collectors near and far who purchase her paintings and prints online through her art business called Copper Corners. Check out her Facebook page here.

Baker is a fun story-teller and we covered a lot of ground in our conversation. Tune to hear her talk about growing up while living abroad as the daughter of missionaries, meeting her husband when they were kids and becoming penpals, her former career as a medical translator and how she manages her home studio while simultaneously raising three children under age 6. You can follow Baker’s art adventure on @coppercorners Instagram feed.

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abstract paintinganimal paintingArtPrize 2017beeschickensCopper Cornerscowsfarm animals.farmedMary-Catheryn Bakerpigs
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jennifer

Jennifer Ackerman-Haywood is a journalist, story collector, podcaster, editor/publisher, columnist, printmaker, loom maker, fiber artist, adjunct journalism professor and mom in West Michigan. Send her your handmade story ideas, best vegetarian recipes, and tips for making cool stuff by writing jennifer@craftsanity.com. : )

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CraftSanity Podcast Episode 203: ArtPrize 2017 artist Jeana Eve Klein on trespassing and quilting about it (and other stuff, too)
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CraftSanity Episode 205: Activist artists protest Flint water crisis at ArtPrize 2017

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